Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for your unrest? Katniss. And what's worse, President Snow has managed to get clear that no person else remains safe and secure either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one of the most brought up books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as being a trilogy. Did it actually end just how you planned it in the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc of the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the writing process.

Q: We understand you worked on the initial screenplay for any film being based on The Hunger Games. What may be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel in a two-hour movie you can't take everything with you. The story has to become condensed to suit the new form. Then you have the question of methods best to take a book told in the first person and provides tense and transform it in a satisfying dramatic experience. In the novel, you won't ever leave Katniss for any second and so are privy to any or all of her thoughts so you will need a strategy to dramatize her inner world and to make it possible for other characters to exist outside of her company. Finally, you have the challenge of the way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A lots of situations are acceptable on a page that wouldn't be over a screen. But exactly how certain moments are depicted could eventually be inside the director's hands.

Q: Do you believe you're capable to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully which it is too difficult to think about new ideas?

A: I've a few seeds of ideas floating around inside my head but--given very much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and i also can commence to develop it.

Q: The Hunger Games is once a year televised event where one boy then one girl from each from the twelve districts is forced to participate in the fight-to-the-death on live TV. What can you believe the benefit of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an fascination with seeing who wins. The contestants are often unknown, which means they are relatable. Sometimes they have very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, to ensure once they see real tragedy playing out on, say, the news, it won't possess the impact it should.

Q: Should you were expected to compete inside Hunger Games, what can you think your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope could be to have hold of the rapier if there was clearly one available. But the reality is I'd probably get with relation to a four in Training.

Q: What would you hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements of the books could be relevant of their own lives. And, if they're disturbing, the things they might do about them.

Q: What were some of the favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but this time around it's for world control. While it is often a clever twist on the original plot, it means that there is less focus about the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life right into a less vibrant Katniss by displaying despair both at those she feels accountable for killing and and at her own motives and choices. This is definitely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to make an effort to control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to a unsure come back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of every with the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.